A silhouetted couple in formal attire stands close to each other against a cityscape backdrop with skyscrapers and a waterway, illuminated by city lights at night.
A woman with curly hair wearing an orange shirt and gray long-sleeve shirt underneath is crouched down, leaning forward, and looking intensely at something in front of her.
Group of performers on a round stage with smoke, blue and white lighting, and neon borders, dancing in sporty outfits.
A young man wearing glasses and a yellow safety vest looks to the side while gesturing with his hand in a dimly lit room.
A person kneeling on a stage with their head bowed, facing a large screen displaying text. Two people sit on each side of the stage, observing. The scene is dimly lit, creating a somber atmosphere.

“Rebecca Goh will definitely be a name that I'll look out for in the future. Firstly the testimonies [they have] collated are sensitive and emotionally raw... Where [they have] excelled themselves, however, is in their direction.”

Two women on a dark stage, one squatting with a water bottle and the other sitting on the floor adjusting her socks.

Rebecca (they / them) is an interdisciplinary theatre / movement director, dramaturg, writer, and creative learning producer from London. They are an MA Theatre Directing graduate from East 15 Acting School (Distinction), and the artistic director of from (a)basement theatre collective. With an extensive background in philosophy and physical theatre, their practice straddles borders and genres – including international projects spanning site-specific multimedia performance, immersive documentary theatre, and interdisciplinary experimentations with creative technologists, scientists, D/deaf hip-hop dancers, composers, and the more-than-human world. They have trained and worked with artists and organisations across Poland, Germany, Singapore, India, the Czech Republic, and the UK.

They have a passion for facilitating data-driven storytelling, and new writing that ventures into the unexpected and the unconventional. Their work is informed by intersectional narratives, and their socio-political complexities — including perspectives they resonate with as a queer, working-class, neurodivergent artist from the British Southeast-Asian diaspora. Driven by an ethos that centres decolonial world-building, radical care, and joy, Rebecca is currently interested in the intersections between live performance, ecoscenography, creative access, and cultural futurism.

Their work has been described as "experimental theatre at its best", with cleverly created subtleties and brave staging choices.”

Two women in a dark setting, one holding a smartphone with an electrocardiogram on the screen, the other sitting at a desk with flowers and a clipboard, both appearing serious.
People working with electronic equipment on a dark stage.
A woman with brown hair is sitting at a table while a person with curly dark hair stands behind her. The person holds a small device with a pair of eyes on its screen in front of her face, creating the illusion that she has eyes. The background is dark.
A young woman with blonde hair wearing a black t-shirt and green shorts standing in a room with colorful decorations, talking and gesturing with her hands.
Group of people around a table with laptops, drinks, and electronic equipment, in front of a red curtain.
A woman sitting on a chair, holding papers and talking, as another person in the foreground works on a laptop, in a room with brick walls and empty chairs.

“The maturity and power in your storytelling is a bit of magic I hope you can retain and hone and keep pushing.”